2009/11/22

Henry Grimes Trio with David Murray & Hamid Drake, Barcelona, 2005-10-03

Henry Grimes- Double bass
David Murray- Tenor saxophone
Hamid Drake- Drums & percussions

1) 28:48
2) 17:28
3) 15:56
4) 21:05
5) 16:53
6) 10:10
--------
1h 50' 20"

MP3. (138.7 MB) (Since April, 1st, 2013)



Some notes from Wikipedia.org:

Henry Grimes (born November 3, 1935, Philadelphia, Pennsylvania) is a jazz double bassist.

After more than a decade of activity and performance, notably as a leading bassist in free jazz, Grimes completely disappeared from the music scene by 1970. Grimes was often presumed dead, but he was rediscovered in 2002 and returned to performing.

Early life & performing career

As a child, Grimes took up the violin, then began playing tuba, English horn, percussion, and finally the double bass at age 13 or 14, while he was in high school. Grimes furthered his musical studies at Juilliard, and established a reputation as a versatile bassist in the mid 1950s. He recorded or performed with saxophonists Gerry Mulligan and Sonny Rollins, pianist Thelonious Monk, singer Anita O'Day, clarinetist Benny Goodman and many others. At a time when bassist Charles Mingus was experimenting with a second bass player in his band, Grimes was the person he selected for the job.

Gradually growing interested in free jazz, Grimes performed with most of the music's important names, including pianist Cecil Taylor, trumpeter Don Cherry, saxophonists Steve Lacy, Pharoah Sanders, Archie Shepp, and Albert Ayler. He released one album, The Call as a trio leader for the ESP-Disk record label in 1965. The album features Perry Robinson on clarinet, Tom Price on drums and is considered to be of a great quality representative of his career.

Disappearance & resurrection

In the late 1960s, Grimes career came to a halt after his move to California. It was commonly assumed Grimes had died; he was listed as such in several jazz reference works. Then Marshall Marrotte, a social worker and jazz fan, set out to discover Grimes's fate once and for all. In 2003, he found Grimes alive but nearly destitute, without a bass to play, renting a tiny apartment in Los Angeles, California, writing poetry and doing odd jobs to support himself. He had fallen out of touch with the jazz world and was unaware Albert Ayler had died, but was eager to perform again.

Word spread of Grimes's 'resurrection', and some musicians and fans offered their help. Bassist William Parker donated a bass (nicknamed "Olive Oil", for its distinctive greenish color) and with David Gage's help had it shipped from New York to Los Angeles, and others assisted with travel expenses and arranging performances. Grimes's return was featured in The New York Times and on National Public Radio. A documentary film is planned, as is a biography.


(...)


Henry's latest record:



Henry's astounding, impassioned non-stop 2&1/2-hour-plus bass and violin session for ILK Music (Denmark) that took place in March, 'O8 was released in January, 'O9 (ilkmusic.com #151 CD). Here's a review from Bruce Lee Gallanter of Downtown Music Gallery:

"... This fabulous two-disc set features an entire unedited and uninterrupted solo bass and violin performance. Henry takes his time and works his way through many layers and textures of plucked and bowed double bass and violin, digging deep into his most creative world of sounds. One would think that it is difficult to sustain interest throughout a long solo bass performance, but not here. This disc is superbly recorded and Henry's bass sounds warm, strong and life-affirming. I turned this disc up while listening to it at home and in the store and let it wash over me like layers of warm molasses. It sounds and feels so good to me and no doubt will work its magic over you."




CDs & books by Henry Grimes: click here.

Reaccions:

5 Comments:

jazzme said...

Thanks , I met David Murray and Milford Graves in Sept

Anonymous said...

i have heard this there and then - en vivo - and, boy, what can i say, ¿mindblowing? & god bless the recordist for putting the mike so close to Grimes. old dogs do bite.

- ctrl.z.jones

falesch said...

Greetings, The sound is painful because the channels are 180-degrees out of phase. The wonderful Henry Grimes needs you to flip the polarity of one of the channels (which I just did on my copy), then he will appear center stage and the lower octaves of his thundering bass will not be so inebriated. Ciao, --Bob.

Anonymous said...

Hello Dere!! Could you reup
Henry Grimes Trio with David Murray & Hamid Drake, Barcelona, 2005-10-03
It´s a wonderful post and the links
are dead.
many thanks,
mike

Bernie said...

Done

 

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