2014/10/27

Some lines about this blog

  • The aim of this blog is merely to share bootlegs and records not in sale among the vanguard music community, offering the opportunity to discover bands and to (re)enjoy some gigs, therefore it is a kind of free promotion for the musicians without any commercial interest in exchange.
  • It is NOT intended to make any economic profit.
  • It does NOT not want to compete with commercial channels. Any listener is free to buy music from these channels. It only relies on every user. 
  • This blog truly respects musicians' art and in any case, if any musician doesn't want their music in this blog it is immediately put it down from it.
If you would like to discuss this subject with me, you may send me an email.

Excuse my English mistakes and enjoy the music.

Reaccions:

2014/10/24

Joachim Kühn, Barcelona, 2014-10-23


Conservatori del Liceu, Barcelona, 2014-10-23

Joachim Kühn (Piano)

Sound Quality: A

No audio monitors or amplification.

Binaural microphones (Sound professionals) > Soundman A3 power supply adapter > digital recorder (Roland Edirol R-09HR Firmware ver. 1.05, WAV PCM 24-bit 96 KHz) > SDHC > iMac i7 HDD > editor (Amadeus Pro 1.4.1) > FLAC Level 8 (16-bit 44.1 KHz)

01) 09:50
02) 05:19
03) 12:53
04) 07:02
05) 00:58 (Announcements)
06) 03:53 Passion Culture (by Ornette Coleman)
07) 03:25 Researching has no limits (By Ornette Coleman)
08) 00:18 (Announcements)
09) 05:21
10) 07:56
11) 04:43
12) 04:47

MP3 (116.8 MB) 
FLAC (16-bit 44.1 KHz) (356 MB)
FLAC (24-bit 96 KHz) Part one, two & three (1.47 GB)
Information and records by J.K.

Reaccions:

2014/10/19

Japanese New Music Festival, Barcelona, 2014-10-18


Almo2Bar, Barcelona, 2014-10-18

Tatsuya Yoshida (Drums, Voice),
Atsushi Tsuyama (Flutes, Bass, Guitar, Voice)
Makoto Kawabata (Bass, Guitar, Voice)

RUINS alone
TSUYAMA ATSUSHI solo
KAWABATA MAKOTO solo
ZOFFY
AKATEN
ZUBI ZUVA X
PSYCHE BUGYO (Tsuyama's Psychedelic Judgement)
ACID MOTHERS TEMPLE SWR

Sound Quality: A-

Binaural microphones (Sound professionals) > Soundman A3 power supply adapter > digital recorder (Roland Edirol R-09HR Firmware ver. 1.05, WAV PCM 24-bit 96 KHz) > SDHC > iMac i7 HDD > editor (Amadeus Pro 1.4.1) > FLAC Level 8 (16-bit 44.1 KHz)

01) 12:29 Ruins alone. (Sound quality: B)
02) 12:02
03) 06:52
04) 11:59
05) 03:34
06) 00:21
07) 02:04
08) 10:05
09) 11:13
10) 00:43
11) 06:42
12) 00:33
13) 01:23
14) 04:34

MP3 (149,2 MB)
FLAC (16-bit 44.1 KHz) (507,8 MB)
FLAC (24-bit 96 KHz) Part one, two, three & four. (> 1GB)


Reaccions:

2014/10/05

Japanese New Music Festival, Barcelona, 2005-11-13


ACID MOTHERS TEMPLE SWR + AKATEN + RUINS ALONE + ZOFFY + ZUBI ZUVA X + SEIKAZOKU + SHINP WARK + SATOKO FUJII 4tet +FUJII&TATSUYA Duo.

Teatre Municipal Mercat de les Flors, Sala Maria Aurèlia Capmany, Barcelona

Sound quality: B+

CD1 & CD2

web info.


Reaccions:

2014/07/04

The Dillinger Escape Plan, Barcelona, 2014-06-25


Venue: Sala Apolo

http://www.dillingerescapeplan.org/

Ben Weinman – guitar, programming
Greg Puciato – lead vocals
Liam Wilson – bass
Billy Rymer – drums

Sound Quality: A-

Binaural microphones (Sound professionals) > Soundman A3 power supply adapter > digital recorder (Roland Edirol R-09HR Firmware ver. 1.05, WAV PCM 24-bit 96 KHz) > SDHC > iMac i7 > HDD > editor (Amadeus Pro 1.4.1) > FLAC Level 8 (16-bit 44.1 KHz)

01-Intro (1:01)
02-Prancer (4:02)
03-Farewell, Mona Lisa (5:12)
04-Milk Lizard (4:02)
05-Panasonic Youth (2:28)
06-Room Full of Eyes (2:47)
07-Happiness is a Smile (7:08)
08-Understanding Decay (2:17)
09 ??????? (5:47)
10 ??????? (2:46)
11-Nothing's Funny (3:31)
12-One of Us is the Killer (4:07)
13-Crossburner (4:25)
14-Good Neighbor (3:03)
15-When I Lost My Bet (6:03)
16-Come to Daddy (1:29)
17-Sunshine the werewolf (6:18)

MP3 (147 MB)
FLAC (16-bit 44.1 KHz) (538.4 MB)
FLAC (24-bit 96 KHz) Part one, two, three & four.

Note: If you happen to know the missing tracks titles please leave a comment. Thank you.



Reaccions:

2014/03/21

Lean Left, Barcelona, 2014-03-17


Apolo 2, Barcelona, 2014-03-17

Terrie Ex & Andy Moor: Guitars
Ken Vandermark: Tenor & baritone sax, Clarinet
Paal Nilssen-Love: Drums & percussion

Sound Quality: A+

Binaural microphones (Sound professionals) > Soundman A3 power supply adapter > digital recorder (Roland Edirol R-09HR Firmware ver. 1.05, WAV PCM 24-bit 96 KHz) > SDHC > iMac i7 > HDD > editor (Amadeus Pro 1.4.1) > FLAC Level 8 (16-bit 44.1 KHz)

1) 14:39
2) 12:12
3) 11:22
4) 14:00

Encores:
5) 05:04
6) 04:51

MP3 (114.1 MB)
FLAC (16-bit, 44.1 KHz) (399.7 MB)
FLAC (24-bit, 96 KHz) (Part one, two & three) MB: (524.3 * 2) + 340.7

Latest album:

Click for more info.

Reaccions:

2014/03/02

Berne Black Cline, Granollers (Barcelona) 2014-02-28


Casino de Granollers, 2014-02-28

Tim Berne: Tenor Saxophone
Jim Black: Drums, Percussion & Electronics
Nels Cline: Electric Guitar & Electronics

Sound Quality: A+

Binaural microphones (Sound professionals) > Soundman A3 power supply adapter > digital recorder (Roland Edirol R-09HR Firmware ver. 1.05, WAV PCM 24-bit 96 KHz) > SDHC > iMac i7 > HDD > editor (Amadeus Pro 1.4.1) > FLAC Level 8 (16-bit 44.1 KHz) > MP3

1) 1:13:13
2) 0:07:27

MP3 (141.2 MB)
FLAC 16-bit 44.1 KHz (434.9 MB)
FLAC 24-bit 96 KHz . Part one, two, three & four. (1.67 GB)

---

Check BBC official album "The Veil".



Reaccions:

2014/02/21

Mostly Other People Do The Killing, Barcelona 2014-02-20


@ Apolo2, Barcelona

Moppa Elliott (double bass & leader)
Peter Evans (trumpet & piccolo)
Jon Irabagon (tenor & sopranino saxophones)
Kevin Shea (drums & electronics)

Sound Quality: A+

Binaural microphones (Sound professionals) > Soundman A3 power supply adapter > digital recorder (Roland Edirol R-09HR Firmware ver. 1.05, WAV PCM 24-bit 96 KHz) > SDHC > iMac i7 > HDD > editor (Amadeus Pro 1.4.1) > FLAC Level 8 (16-bit 44.1 KHz) > MP3
  1. 26:13
  2. 00:59 (Announcements)
  3. 24:00
  4. 00:40 (Announcements)
  5. 24:12
  6. 11:38
FLAC (538.5 MB) (16-bit 44.1 KHz)

FLAC 24-bit 96 KHz [(524.3 MB * 3) + 310.5 MB]
Part one, two, three & four
---
MOPDTK Bio & Albums

Reaccions:

2014/02/07

Takeshi Terauchi & The Blue Jeans - Rashomon (1972)


Takeshi Terauchi & The Blue Jeans - "Rashomon"
LP: Telefunken, Germany, 1973; #SLE 14699-P
- originally released by King, Japan, 1972; #4K-31

Terauchi Takeshi - electric guitar
The Blue Jeans - unknown members

Side 1
1. Rashomon
2. Chidori (The Plover)
3. Akegarasu (Miss Tojin Okichi alias Akegarasu)
4. Matsu No Midori (Green Pine Tree)
5. Takesu

Side 2
1. Taki No Shiraito (A Poor Woman Who Does Water Tricks)
2. Narayma Bushiko (Why Was An Old Woman To Be Abandoned?)
3. Dannoura (The Story of the Heishi)
4. Yakkosan (Servant)
5. Fukagawa
6. Hamachogashi

A1 + B2 composed by Terauchi Takeshi, A3 by Koka Sasa, all others are traditional Japanese songs arranged by Terauchi Takeshi.

Recorded by King Records, Tokyo, Japan, probably in 1972.


In the early 60s Takeshi Terauchi became on of the most popular artists, that gained the unbelievable success in eleki era. Playing with three fingers Chet Atkins' method, he raised to the top of Japanese surf, receiving the title King of the Guitar. In 1966 he quits from The Blue Jeans band and fromed the new outfit The Bunnys to play trendy Groups Sound. But the next year he split from his new band that was continuing to play without him until 1971. In 1968 Terauchi reorganizes The Blue Jeans playing with them in the style that could be described as the neo-surf: along with the traditional surf and respective sounds the stylistic of a 70s true rock is using, with a fuzz guitar connected to the acid organ and impetuous drum solo. In 1972 the instrumental album Rashomon was released, where the main theme was written by Terauchi for Akira Kurosawa's same titled movie. In the new processing we have something like surf/psych with a dark guitar and a soaring flute - pretty interesting. The other part of the disk is also nice, where excluding two self-written compositions Terauchi used an old Japanese melodies completely remade them not from the instrumental arrangement point of view but took them from Japanese scale to European with the help of his mother - she was a teacher of Japanese music. An old compositions began to sound so modern that even listening to them you can not believe about their exotic origin. Especially Dannoura (The Story of the Heishi) sounds thrilling - a composition about the battle between samurai clans Heishi and Gendji at the Dannoura field in 1185: a true hard rock with a mad pressure, hyperactive guitar, ominous drum staccato, anxious organ howling and the total reckless jam atmosphere. There was no such frankly mischief on any of his records throughout his career. In general this is a nice album: of course, it has some stylistic limitations but it is way more interesting than I was expecting.

(Russian review found in http://japan-old-prog.livejournal.com/36834.html)

LP RIP in m π III + artwork

Reaccions:

2013/12/29

Ground Zero (by Otomo Yoshihide), Live at Victoriaville, May 1995



I amplified and equalized the audio downloaded from "clarence duo..." blog.
Otomo Yoshihide: Guitar, Electronics
Kazuhisa Uchihashi: Guitar
Mitsuru Nasuno: Bass
Uemura: Drums
Yasuhiro Yoshigaki: Drums
Sachiko M: Sampler
12th Festival de Musique Actuelle de Victoriaville
1995 Edition (May 12 ó 22, 1995)

Announcements + 6 tracks.

Reaccions:
 

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